

I told him to shut his face and just play it. 1971 Fender Musicmaster Bass, in very good vintage condition. He laughed thinking it was some crappy fender solid state. I took this in to a tech to get it serviced. 58:54 How important is an original output transformer 1:01:18 The high-pitched ringing of a V2 (12AX7) on a 5F4 clone 1:03:23 A 1968 Fender Bronco. Why is the Musicmaster Bass so incredibly popular right now Its no doubt largely down to the fact that people these days. Keep it at 10, but then change your picking dynamic a little and that natural tube compression happens and you get a cleaner tone at a good volume. If you're not too embarassed to play power chords, try it. Turning up the volume past that starts to give you the good ol' American style overdrive. Low wattage tube amps rock because you can squeeze the good juice out of them without blowing the doors off your house! Even in spite of that, when I practice in the music room I set up in my house, I can't turn it up past 4 otherwise my ears start to hurt. That's what I love about tube amps, they follow your dynamics! Production of the Fender Musicmaster bass ceased in 1983. It was also available as part of a set with the 12w single 12' speaker Fender Musicmaster bass amp. A super nice clean tone with the ability to get some nice clipping if you dig in a bit. Initially available in red, white, or blue finishes, but also black and white, from the mid 1970s. This is where I keep mine most of the time. List your Fender Musicmaster Bass 2-Channel 12-Watt 1x12' Bass Combo 1970 - 1980 today to get it in front of thousands of eyes, quickly and easily. But now these short scale babies have taken on a. The Musicmaster started as a stripped down version of the Mustang. Volume at 4 it sounds superb! The tone warms up a lot more than sitting at 3. Fender Musicmaster Bass Olympic White 1970. The bass has a single pickup with volume and tone controls. Nice and clean with some brightness on top and a little rolloff on the low end. Heres an always fun to play vintage Fender Musicmaster Bass, famous for their short-scale thump. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.The amp starts sounding good at 3 on the volume and just a *tick* below three on the tone. As a product of the 70s (with a brief reissue in 1997 headed by Squier), the Fender Musicmaster Bass is a shorter-scale, stripped-down version of the. The Musicmaster was Fender’s budget-priced bass at the time, made from surplus parts from. As with Fender’s guitar bearing the same name, the bass was a simpler version of Fender’s Mustang Bass. What attracted me to this was the unusual use of a transformer for the phase inverter and a pair of.

Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Summary: Fender’s Musicmaster was first introduced in 1971, and in production through 1981. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration.
#Fender musicmaster bass serial#
The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. Fender Musicmaster Bass Model Solid Body Electric Bass Guitar (1972), made in Fullerton, California, serial 315812, Sonic Blue finish, alder body. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
